![]() ![]() ![]() ![]() On the day of her name choosing, the name jar has mysteriously disappeared. But while Unhei practices being a Suzy, Laura, or Amanda, one of her classmates comes to her neighborhood and discovers her real name and its special meaning. Her new classmates are fascinated by this no-name girl and decide to help out by filling a glass jar with names for her to pick from. So instead of introducing herself on the first day of school, she tells the class that she will choose a name by the following week. Full-color illustrations.īook Synopsis The new kid in school needs a new name! Or does she? Being the new kid in school is hard enough, but what about when nobody can pronounce your name? Having just moved from Korea, Unhei is anxious that American kids will like her. When a classmate visits Unhei's neighborhood and learns her real name's special meaning, the name jar disappears, and Unhei's new friends encourage her to keep her Korean name. About the Book A young Korean girl, Unhei, who is new to her American classroom, tells the class she will choose a name easier for them to pronounce from jar of names. ![]()
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![]() The future looks dire-but is it unavoidable? In The War on Normal People, Yang imagines a different future-one in which having a job is distinct from the capacity to prosper and seek fulfillment. The consequences of these trends are already being felt across our communities in the form of political unrest, drug use, and other social ills. Rapidly advancing technologies like artificial intelligence, robotics and automation software are making millions of Americans livelihoods irrelevant. In a future marked by restlessness and chronic unemployment, what will happen to American society? In The War on Normal People, Andrew Yang paints a dire portrait of the American economy. One recent estimate predicts 45 million American workers will lose their jobs within the next twelve years-jobs that wont be replaced. ![]() About the Book The shift toward automation is about to create a tsunami of unemployment. ![]() ![]() ![]() Visitors are allowed inside to see the spot, and to see antique fire engines as well. In any case, the site of the blaze’s first sparks is now at the Chicago Fire Academy, at the corner of DeKoven and Jefferson. O'Leary and all his family prove to have been in bed and asleep at the time.” Whether it originated from a spark blown from a chimney on that windy night, or was set on fire by human agency, we are unable to determine. “There is no proof that any person had been in the barn after nightfall that evening. But there was never any proof that she or her cow was to blame for kicking over a lantern.Īccording to the official report of an investigation conducted in 1871: ![]() We know for sure the site where the Great Fire began: Catherine O’Leary’s barn. ![]() But if you visit Chicago today, you’ll still be able to find glimpses of the Chicago my characters in Veiled in Smoke knew well. Within two years, the downtown area was completely reconstructed, and better than ever. After the Great Fire of 1871 destroyed Chicago’s business district and rendered 100,000 people homeless, the city lost no time in rebuilding. ![]() ![]() I've been doing this forever and you can't ever expect anything, I'm just happy. ![]() And it's great and wonderful, of course, but, yeah, you're right. ![]() I was listening to an interview that Boris Karloff's daughter was giving and she said that after Frankenstein, everybody was saying "Boris Karloff, overnight success." And she says, "Yeah, after forty-one films, he was an overnight success." (laughs). It's not like you just showed up, but boom- you're getting all this attention all of a sudden. Stephen Graham Jones' My Heart Is A Chainsaw hits bookstore shelves today! To celebrate, the incomparable Tananarive Due sat down with the author of The Only Good Indians and Night Of The Mannequins to talk about his latest release.Ĭongratulations to you on all of your accolades it's so much fun to see the love pouring in. ![]() ![]() ![]() They eat and eat and eat, then pile flowers in a heap and crawl in to sleep. Taken with this process, Horace and Hattie decide to try it themselves. The “wriggly, stripy thing” starts to eat, and it eats and eats and eats and gets bigger, until one day “it made a soft, silky bed, and there it slept for many days and many nights.” The two then spy the cocoon opening “something beautiful, colorful, and wonderful” crawls out and then flutters away. They are lucky enough to witness the caterpillar hatching from this egg (“egg,” “caterpillar,” “chrysalis,” “butterfly,” and “metamorphosis” are never used in the text). One day, the two find something “small and shiny and smooth” under a leaf. Hedgehog best friends Horace and Hattie are back, this time marveling at the wonder that is metamorphosis.Īs in their first outing, this book begins by introducing the two friends, sharing what they like to do together as well as apart. ![]() ![]() ![]() ![]() Of these kids, one girl stood out as an immense talent: Phiona.īy the age of eleven Phiona was her country’s junior champion, and at fifteen, the national champion. At first children came for a free bowl of porridge, but many grew to love the game that-like their daily lives-requires persevering against great obstacles. Laying a chessboard in the dirt, Robert began to teach. Katende, a war refugee turned missionary, had an improbable dream: to empower kids in the Katwe slum through chess-a game so foreign there is no word for it in their native language. One day in 2005 while searching for food, nine-year-old Ugandan Phiona Mutesi followed her brother to a dusty veranda where she met Robert Katende. The “astonishing” ( The New York Times Book Review) and “inspirational” ( Shelf Awareness) true story of Phiona Mutesi-a teenage chess prodigy from the slums of Uganda. Now a major motion picture starring Academy Award winner Lupita Nyong ’ o and David Oyelowo, directed by Mira Nair. ![]() ![]() ![]() Reeling from the kahyalars’ deaths and Tadek’s dishonorable discharge, Kadou drags Evemer along on a reckless quest to drink and fight his way through the undercity. In the aftermath, the taciturn Evemer, another kahya, arrives to take Tadek’s place. That secondary investigation spirals out of control, leaving three other kahyalar dead, Tadek stripped of his position, and Kadou and Siranos confined to the palace. Tadek is a kahya-a bodyguard trained in the ways of courtly life-and it is in that capacity that he begins to investigate Siranos. Kadou takes his concerns about Siranos to his lover, Tadek. His investigation leads to a frightening confrontation with his niece’s biological father, a foreign-born noble named Siranos. ![]() Second in line to the Araşti throne, Prince Kadou can intuit the contents of metal alloys just by touching them-a skill that leads him to investigate a counterfeiting scheme in the capital city. An anxious young prince must reconcile his duties to his family and friends with his growing fears of failure. ![]() ![]() Then he moves on to Uatu the Watcher, the supposedly non-interfering cosmic observer who watches and records the entire timeline of the Marvel Universe, who he also murders - but not before Uatu refuses to tell him on whose behalf he is observing the timeline.įrom there he destroys the entirety of the Avengers by using stolen Pym Particles to crush them with their own Avengers Mansion headquarters - as well as killing Thor by enlarging Mjolnir to massive size as it returns to his hand, smashing him.Īs Deadpool makes his way through numerous heroes and villains, Taskmaster is hired by the surviving loved ones of those he's murdered so far to track him down and stop him.Īnd as we say, here's where Hugh Jackman's Wolverine could come into play as the other big character of the story, replacing Taskmaster as the hero tracking Deadpool across this version of the Marvel Universe trying to slow down his destruction. He starts with Reed Richards and the Fantastic Four, wiping them out entirely. (Image credit: Marvel Comics) (opens in new tab) ![]() ![]() Therefore, if there is only one final end, this will be what we are seeking, and if there are more than one, the most final of these will be what we are seeking. ![]() wealth, flutes, and in general instruments) for the sake of something else, clearly not all ends are final ends but the chief good is evidently something final. Since there are evidently more than one end, and we choose some of these (e.g. So the argument has by a different course reached the same point but we must try to state this even more clearly. Therefore, if there is an end for all that we do, this will be the good achievable by action, and if there are more than one, these will be the goods achievable by action. In medicine this is health, in strategy victory, in architecture a house, in any other sphere something else, and in every action and pursuit the end for it is for the sake of this that all men do whatever else they do. What then is the good of each? Surely that for whose sake everything else is done. ![]() It seems different in different actions and arts it is different in medicine, in strategy, and in the other arts likewise. Let us again return to the good we are seeking, and ask what it can be. ![]() ![]() 1 Art historical and technical research conducted during the acquisition process yielded one affirmation of its significance after another: the first cast (1911) in an edition of some seventeen located bronzes, the sculpture bears a distinguished provenance and installation history and offers important insight into foundry practices of the day. This particular cast of Augustus Saint-Gaudens’s Abraham Lincoln: The Man, more familiarly known as Standing Lincoln (Figures 1, 2), surfaced after decades of private ownership, unknown to scholars and unrecorded in the catalogue raisonné of the artist’s work. ![]() ![]() In January 2012, just days before the opening of the New American Wing Galleries for Paintings, Sculpture, and Decorative Arts, the Metropolitan acquired a bronze statuette of transformative impact to the present installation and to its historic American sculpture collection. ![]() |